Founder/Director

Barbara was born in Brazil and she started dancing when she was 6 years old and trained at Ballet Eliana Cavalcanti for several years and also a principal dancer for 5 years.
She attended summer courses with Bolshoi's teachers like: Denis Nevydommy, Galina Kozlova (Ex Prima Ballerina of Bolshoi), Boris Storojkovo, Olga Dolganova and many others.
She also attended  a summer course and Trainne Program at Ballet Chicago in 2013 and at Joffrey Ballet School (NYC) in 2015.
Recently she just graduated  her Certificate Program at Peridance Capezio Center.
Since she moved to NYC she enjoyed dancing with: Connecticut Ballet Company, Arch Contemporary, Homo Veritas Dance Theatre, Albano Ballet of America, American Swiss Ballet Company and guest at Metropolitan Ballet & Academy.
Barbara has performances experience like: Don Q., Le Corsaire, Paquita, The Flames of Paris, Nutcracker,  Coppelia, La Esmeralda, La Sylphide, Diana y Action, Serenade, Concerto Barroco and many others.

Blake Brown is from Colorado Springs, Colorado, and began her training with the Ballet Society of Colorado Springs in 2008. She joined the Colorado Youth Ballet in 2010, and won awards and scholarships to train with the Joffrey Ballet in Chicago, the Colorado Ballet, and the American Academy of Ballet in New York. She began her professional career with Ballet Idaho as a guest artist in The Nutcracker in 2012, and continued her career in Santa Barbara, California, with State Street Ballet in 2015. Since then, Blake has had the opportunity to dance soloist roles in Metropolitan Ballet's Swan Lake in 2017, and has performed the role of Myrtha in Metropolitan Ballet's Giselle in 2018. Blake has been dancing with the American Swiss Ballet for three years, and she will be representing ASB abroad in the summer of 2019.   

Originally from France, Gabrielle d’Anthoüard graduated from the Conservatory of Boulogne Billancourt in 2015. She obtained the Diploma of Choreographic Studies in ballet. In order to complete her formation, she attended the Ailey School in New York. After two years in Independent study she received the Bob Fosse-Gwen Verdon Scholarship and graduated in 2018. She danced for Bradley Shelver in "Where there are tongues" and Elisabeth Roxas-Dobrish in "Scream, Scram, Scrum, Scrim" at the Ailey Citigroup Theater. She attended the Paris Opera Summer Intensive three years in a row, the Hubbard Street Dance Chicago Summer Intensive in 2017 and the Movement Invention Project directed by Francesca Harper. She recently performed "Table of Silence" with the Buglisi Dance Theater and "Currents" , ARIM Dance Company’s newest work. She joined American Swiss Ballet Company and performed Nutcracker in collaboration with the Metropolitan Ballet in Minneapolis as well as Alma NYC with whom she performed at Wise Fruit 7.0. Most recently she was a part of "Voulez Vous?" a Retro Factory event, homage to the Moulin Rouge as she performed "Diamonds are a Girl’s Best Friend" choreographed by Breton Tyner-Bryan’s..

José Rojas is a professional dancer and teacher of traditional Argentine folklore in Paraná, Entre Ríos, Argentina. José danced in folk dance since he was six years old.

Since then he has participated in several popular festivals and festivals of great renown in Argentina.

His passion for dance encouraged José to develop other dance techniques such as ballet, jazz and contemporary music; giving him the opportunity to take classes with world-renowned dancers and teachers.

In 2015, José received a full scholarship for the contemporary jazz summer course at the Joffrey Ballet School in New York City, during which, for his good performance, he received a full scholarship to attend the 2015-2016 school year in said institution.

Currently, José is a dancer of the Mexican folkloric company Calpulli Mexican Dance, teacher artist of Ballet Hispanico, dancer of American Swiss Ballet Company, Galletto Dance Company, and Bula Dance Conpany. dancing in numerous renowned festivals in the US and abroad. Jose works as a dancer and choreographer of Argentine folklore, ballet and contemporary.

Originally from Baltimore, Maryland; Kara received her early training from the Gniazdowska Studio of Ballet. She then went on to major in ballet performance at the University of Cincinnati, College-Conservatory of Music for their BFA program. Kara furthered her dance education as a trainee at the Martha Graham School in New York and went on to perform with companies such as Ballet Deviare, the MorganScott Ballet, Covenant Ballet, Ballet for a Young Audiences, Ballet Inc, and Arch Contemporary Ballet. She was also a featured dance ensemble member in the musical, My Princess Diana; a benefit performance for Broadway Cares Equity Fights AIDS. Kara has been with American Swiss Ballet Company since 2015 and is delighted to dance with such a diverse repertory here in NYC and internationally. 

Malcolm Jones grew up in Neptune, NJ,  and started his dance training at the Asbury Park Technical Academy of Dance. While there he furthered his education at various summer programs such as the Bolshoi Academy, Complexions Contemporary Ballet, Dance Theatre of Harlem, and Alvin Ailey. In May 2015, he received his BFA in Dance from Montclair State University. While at Montclair, he performed various works by Larry Keigwin, Antony Tudor, Andrea Miller, and Fredrick Earl Mosley. After graduating, he debuted his professional career with Neville Dance Theatre, followed by Lustig Dance Theatre, Nimbus 2, and American Swiss Ballet.

McCall Sheetz is from Laguna Beach, California. She trained from a young age in ballet and contemporary dance with Dmitri and Jennifer Kulev. She competed in competitions such as Youth America Grand Prix and also received a full scholarship to train at the Bolshoi Ballet Academy in Moscow in 2014. She has attended summer programs with the  Boston Ballet, American Ballet Theatre, Academie Princess Grace in Monaco, LINES Ballet, and the Washington Ballet.  McCall trained at the Alvin Ailey School BFA program in New York City for 4 years. McCall has performed works from choreographers such as: George Balanchine, Amy Hall Garner, Chuck Wilt, Gregory Dolbashian, Adam Barruch, Alonzo King, and Alvin Ailey.

Natalia was born in Russia. She received her training in Moscow at The Academy of Classical Ballet under direction or Gennady Ledyakh. 

  Later on she as well held her degree in theatre and dance history at the Russian Academy of Theatrical Art RATI- GITIS. 

  For several years Natalia has been a member of Russian National Ballet company and traveled nationally and internationally with large classical ballet repertoire. 

  In USA she retrained and became a part of the Gelsey Kirkland Ballet company as well as continue appearing as a cast member with various dance projects in 3 states areas NY, NJ, CT.

  She had been performing as a guest principal dancer with Victoria Ballet Theatre, Metropolitan Ballet, Ballet Long Island. 

  Besides dancing herself Natalia finds her passion in passing on art of classical ballet and character dance to the next generations so she has be teaching children to dance over about 15 years till now.